Abstract/Details

The Chestnut Hill country house of the 1920s: A unique architectural 'type'


1988 1988

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Abstract (summary)

In Chestnut Hill there evolved a clearly identifiable "type" of country residence. The "type" may be recognized by the unity of house and its walled garden combined with a Romantic architectural expression that came from the shared cultural heritage of the owner and architect.

In the best examples of the "type", house and walled garden are conceived as a total unity rather than as two separate elements that have been skillfully joined together. All the examples studied are the products of a common cultural heritage. The modest architectural treatment owes much to the prevailing Quaker heritage and to a nostalgic interest in the farms of Normandy and rural England as well as an insistence on the finest craftsmanship in masonry, woodwork, tile, and iron. Within a framework of inward-looking courts and gardens, such harmonious integration was determined by the traditional background of the gentleman-farmer and the constraint of a small site. Characteristically, the Chestnut Hill country house conveys a picturesque silhouette, yet remains cohesively structured. The unity of inside rooms and outdoor courts which are asymmetrically balanced based upon an intellectual awareness of spatial sequences in planning, restrains the entire architectural composition. Organically integrated with the natural form of the site, such uniformity makes a particular contribution to the notion of genius loci.

Client and architect shared a common social and educational background in the Philadelphia Quaker tradition with long-standing cultural ties to Europe. All six architects, Mellor, Meigs and Howe, McGoodwin, and Willing and Sims received their professional education in Paris or at the University of Pennsylvania where Cret so eloquently preached the architectural principles he had learned at the Ecole des Beaux-Arts. A conceptual synthesis reconciling the English Romanticism of the Arts and Crafts movement with the Beaux-Arts method of composition as rationalized in the late nineteenth-century provides the key.

This thesis is supported through detailed analysis of a group of six examples: the McCracken house, the McIlhenny and Pepper residences, the Mellor and Frazer house and High Hollow the property of George Howe.

Indexing (details)


Subject
Architecture;
American history
Classification
0729: Architecture
0337: American history
Identifier / keyword
Communication and the arts; Social sciences; Pennsylvania
Title
The Chestnut Hill country house of the 1920s: A unique architectural 'type'
Author
Bozorgi, Khosrow
Number of pages
363
Publication year
1988
Degree date
1988
School code
0175
Source
DAI-A 50/01, Dissertation Abstracts International
Place of publication
Ann Arbor
Country of publication
United States
Advisor
Perkins, G. Holmes
University/institution
University of Pennsylvania
University location
United States -- Pennsylvania
Degree
Ph.D.
Source type
Dissertations & Theses
Language
English
Document type
Dissertation/Thesis
Dissertation/thesis number
8908308
ProQuest document ID
303708846
Copyright
Database copyright ProQuest LLC; ProQuest does not claim copyright in the individual underlying works.
Document URL
http://search.proquest.com/docview/303708846
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