Abstract/Details

Allegory, history and fiction in the works of Alejo Carpentier and José Saramago


2008 2008

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Abstract (summary)

The current study is a proposal that heads towards the vision of a polyphonic accompaniment of the evolution of allegory, journeying from a cavern, to the soul and out into the spheres of knowledge and representation. It examines the evolution of allegory from antiquity and goes deep into the study proposed by Walter Benjamin in his The Origin of German Tragic Drama, allowing for the analysis that allegory falls into two fields of interpretation: first that of representation, and second that of the articulation. With its articulatory power of expression of a convention, allegory transgresses limits and spaces, becoming a tool of expression and verification of the past through the process of investigation and of research. So being, allegory, a discursive material for the laying out of the past, redirects the reader’s view towards a forgotten, ruined and decadent past that awaits its redemption and incorporation within the historicist discourse.

With this in mind, I would argue that allegory in the works of Carpentier and Saramago, far from being a stylistic device seen by critics as a way of escaping censorship, is a poetics resulting from repositioning history through the displacement of what is already signified, bringing forth, as a crucial component of History the decadent, the displaced, the ruins and the marginalized. Allegory is a way of disrupting, transforming and subverting—through the very archival work carried out by both authors—, the temporal and territorial vocality of definitive histories and official languages, mythologies and the politics of inherited Manichean allegories that typify the rhetoric of nationhood and nationalism.

Works such as El arpa y la sombra, Los pasos perdidos and “Viaje a la semilla” of Alejo Carpentier and Memorial do Convento, A Jangada de Pedra and A Caverna of José Saramago examine a circular vision of life and history and its discontinuities, the decadent phases of history that beg to be exposed in the decadent ruins of its reality. Allegory, in my analysis, is the means through which man and history are only saved by exposing the past, failures, and decadence from the time of the lost Paradise.

Indexing (details)


Subject
Latin American literature;
Romance literature
Classification
0312: Latin American literature
0313: Romance literature
Identifier / keyword
Language, literature and linguistics; Allegory; Carpentier, Alejo; Cuba; Fiction; History; Portugal; Saramago, Jose
Title
Allegory, history and fiction in the works of Alejo Carpentier and José Saramago
Author
Caballero-Roca, Gloria Alicia
Number of pages
322
Publication year
2008
Degree date
2008
School code
0118
Source
DAI-A 69/09, Dissertation Abstracts International
Place of publication
Ann Arbor
Country of publication
United States
ISBN
9780549789437
Advisor
Ornelas, Jose N.
University/institution
University of Massachusetts Amherst
Department
Hispanic Literatures & Linguistics
University location
United States -- Massachusetts
Degree
Ph.D.
Source type
Dissertations & Theses
Language
Spanish
Document type
Dissertation/Thesis
Dissertation/thesis number
3325267
ProQuest document ID
304569777
Copyright
Database copyright ProQuest LLC; ProQuest does not claim copyright in the individual underlying works.
Document URL
http://search.proquest.com/docview/304569777
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