Abstract/Details

Narrative justice: The gothic and the law in Anglo -America, 1790–1860


2004 2004

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Abstract (summary)

In nineteenth-century Britain and America, the form of the gothic novel, popularly known for its use of supernatural horror, elaborate framing narratives, and stereotypical villain-versus-maiden characters and plots, frequently wrestled with ethical dilemmas arising from uncertainty about the nature of justice. Gothic novels engage with legal issues and forms in both their plots and formal structures, revealing trans-Atlantic nineteenth-century social anxiety about the nature of justice. Gothic novels feature repeated incidents of innocents who are wrongfully imprisoned, punished, and otherwise victimized by the villain through the power of a callous, incompetent, or sham court, revealing authors' and audiences' concerns about the legitimacy and status of the justice system. In their elaborate meta-textual form, often involving confessions, legal documents, testimonies, and items put forward as “evidence” directly for the reader, gothic novels set up a forum with a possibility for a new kind of justice. Far from being merely the realm of the supernatural, or a masochistic fantasy, the gothic provides an imaginary world where authors and audiences experience the horrors of injustice from a safe distance and contemplate a more perfect means to justice. The only source of true justice in these novels is not the legal judiciary system, but the narrative (or poetic) justice provided by the author and/or reader through the narrative's frame.

British and American gothic novels, as well as American slave narratives that rely on gothic conventions, engage our interest in fictional, terrorizing, horrifying stories in part to bring us to a consideration of more important, non-fictional situations in the real world, particularly around issues of social justice. The novels included in this study—William Godwin's Caleb Williams (1794), Mary Shelley's Frankenstein (1818), Charles Brockden Brown's Edgar Huntly (1799), and Hannah Crafts' The Bondwoman's Narrative (c.a. 1855–1861)—engage with the flaws of the legal system, portraying the real horrors of contemporary institutional injustices. The gothic's focus on the dark aspects of the human experience allowed an imaginary space for readers and writers to contemplate the possibility for justice in the real world.

Indexing (details)


Subject
American literature;
British and Irish literature;
Law
Classification
0591: American literature
0593: British and Irish literature
0398: Law
Identifier / keyword
Social sciences; Language, literature and linguistics; Anglo-America; Brown, Charles Brockden; Charles Brockden Brown; Crafts, Hannah; Godwin, William; Gothic; Hannah Crafts; Justice; Law; Mary Shelley; Narrative; Nineteenth century; Shelley, Mary; Slave narrative; William Godwin
Title
Narrative justice: The gothic and the law in Anglo -America, 1790–1860
Author
Marshall, Bridget M.
Number of pages
254
Publication year
2004
Degree date
2004
School code
0118
Source
DAI-A 65/11, Dissertation Abstracts International
Place of publication
Ann Arbor
Country of publication
United States
ISBN
9780496132621, 0496132628
Advisor
Knoper, Randall
University/institution
University of Massachusetts Amherst
University location
United States -- Massachusetts
Degree
Ph.D.
Source type
Dissertations & Theses
Language
English
Document type
Dissertation/Thesis
Dissertation/thesis number
3152727
ProQuest document ID
305175893
Copyright
Database copyright ProQuest LLC; ProQuest does not claim copyright in the individual underlying works.
Document URL
http://search.proquest.com/docview/305175893
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