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EDINBURGH'S devotion to the work of C P Taylor is not, so far, doing him many favours. Written in 1967 and hitherto unperformed, The Ballachulish Beat at the Corn Exchange turns out to be a raucous, semi-coherent fable about the exploitation of a Glasgow pop group, by both the hard left and the commercial right. The problem is that this kind of broad-based political pantomime now looks hopelessly dated.