It appears you don't have support to open PDFs in this web browser. To view this file, Open with your PDF reader
Abstract
This paper examines the effectiveness of existing art loss databases and how a free single unified art loss database would be a more effective option in the recovery of stolen art and in performing due diligence. The general consensus is that the combination of public and private controlled art loss databases existing today are poorly operated, inadequately funded and ineffective in the recovery of stolen art. With significant advances in technology and the growing problem of stolen art, this paper will propose a free single unified art loss database. A database that will become the market-leader and most effective resource for anyone seeking the return of stolen art.
You have requested "on-the-fly" machine translation of selected content from our databases. This functionality is provided solely for your convenience and is in no way intended to replace human translation. Show full disclaimer
Neither ProQuest nor its licensors make any representations or warranties with respect to the translations. The translations are automatically generated "AS IS" and "AS AVAILABLE" and are not retained in our systems. PROQUEST AND ITS LICENSORS SPECIFICALLY DISCLAIM ANY AND ALL EXPRESS OR IMPLIED WARRANTIES, INCLUDING WITHOUT LIMITATION, ANY WARRANTIES FOR AVAILABILITY, ACCURACY, TIMELINESS, COMPLETENESS, NON-INFRINGMENT, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Your use of the translations is subject to all use restrictions contained in your Electronic Products License Agreement and by using the translation functionality you agree to forgo any and all claims against ProQuest or its licensors for your use of the translation functionality and any output derived there from. Hide full disclaimer